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Comparison by Patrick Meaney of book and film, particularly in regard to the dystopian themes expressed in each. The film has much that is similar to the book, but also much that is not.

Opinions from Martin Connolly on the eternal question of Deck-a-Rep or Deck-a-Human?

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For Papers On Shakespeare's PLAYS,

An examination by Jean-Paul Gossman of the religious theme in Blade Runner. ()

Excerpt from the opening pages of - Jay Clayton, "Concealed Circuits: Frankestein's Monster, the Medusa, and the Cyborg." Held at Vanderbilt University.


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A Film History paper by Joseph M. Reagle Jr. examining the conflict between Human and Replicant as exemplified by the big question of whether or not Deckard himself is a Replicant.

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One of the big questions in Blade Runner is "What does it mean to be Human?" John W. Whitehead has a look at this and related questions in Blade Runner couched in a view of the postmodern world.

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"The Tyger" is Blake’s most-read poem, hands down. It is easier to read than a lot of his work, but by no means a walk in the park. Even though the themes and meaning are about as elusive or difficult as you can muster, but not so obscured you don’t understand a thing.

The excitement that Blake inspires in a lot of really smart people, as well as normal people like us, is pretty compelling. He questions everything: religion, politics, poetry itself, history, science, and philosophy. He attacks traditional order, systems of rules and regulations, and people who think they have it all figured out. No one is spared from his critical eye, not angels, gods, God, kings, priests, or even you, the reader.

In any case, Blake is awesome, and "The Tyger" is a great introduction to the rest of his work. His poetry is a bit like meets . He’s topical, sometimes very critical, and can be clever. He also has a brilliant poetic mind, and the eye of a visionary who sees the world in ways of which we can only dream. Not to mention, "The Tyger" is short, and doesn’t require knowledge of Blake's personal mythology (ever heard of Urizen, Los, Oothoon, Enitharmon, Thel, or Beula; Orc, Rintrah, Bromian, or Leutha? Don’t worry; neither had anyone else until Blake made them up).

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Does the unsettling of boundaries between real and simulated memories through androids and cyborgs in DADoES, Blade Runner and Robocop reveal wider anxieties and hopes of the postmodern consciousness? Kevin Telfer tries to answer the question.

On symmetry and asymmetry in literature - ScienceDirect

Works Cited

Jackson, Shirley. "The Lottery." The Norton Anthology of Short Fiction. Cassill, R.V. ed. New

York W.W. Norton and Company. 1981.

Faulkner, William. "A Rose for Emily." The Norton Anthology of Short Fiction. Cassill, R.V.,

ed. New York W.W. Norton and Company. 1981.