The second half of the second disc is basically another presentation of CL+5/Isle of Wight-type live material (but seriously truncated in places), but the rest is a decent sketch of the band's history starting from the pre-DOFP days.
At that point, Future was roughly two years into a radical public and artistic reimagining. It started in the fall of 2014, not long after his breakup with the R.&B. singer Ciara and the soft landing of his pop-friendly sophomore album, “Honest.” The failure became an important inflection point. Over the next few years, he created a swelling mass of music with a cloaking grandness to it: Take a step inside, and you were entombed. The songs were lean and incessant and almost completely devoid of any other voice but Future’s. And what that voice was intimating to us, from behind the thickest of blackout curtains, was that our man had given up on his conscience and that he was guzzling the prescription cough syrup Promethazine and downing Xanax and that he was having sex with women he did not really care about and that this was neither making him feel good nor bad but rather it was making him feel nothing.
What was the poem quoted in Tuesdays with Morrie?
The answer that the Pythia delivered was that if Croesus attacked Cyrus, "a great kingdom will fall." Croesus thought this sounded good, so he attacked Cyrus.
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A strange thing you learn about American popular music, if you look back far enough, is that for a long time it didn’t much have “genres” — it had ethnicities. Vaudeville acts, for instance, had tunes for just about every major immigrant group: the Italian number, the Yiddish number, the Irish one, the Chinese. Some were sung in a spirit of abuse; others were written or performed by members of those groups themselves. And of course there were the minstrel shows, in which people with mocking, cork-painted faces sang what they pretended were the songs of Southern former slaves. This was how we reckoned with our melting pot: crudely, obliviously, maybe with a nice tune and a beat you could dance to.
ADAGE: A proverb or wise saying.
long e's and o's, are shown with a circumflex, just to indicate length, unless they otherwise have an acute or grave accent, which is then shown instead.
ADAGY: The act of speaking or writing in adages.
(1) The time-period when Norman conquerors ruled over England. During the Anglo-Norman period from 1066 until about 1200, Norman French was the language of literature and culture in England. (2) The dialect of Norman French that evolved in England after the Normans came with William the Conquer, fought the Battle of Hastings, and ruled over England afterward. Scholars typically abbreviate the phrase as "AN." A sample writer from the Anglo-Norman period was Marie de France.
During Pink’s youth, he loses his dad in the war.
It might be both groundbreaking - in some ways - and influential but I just find the actual songs - with exception of the two obvious standout tracks - very very ordinary.
Ironically, placed Jethro Tull amongst the greats of prog rock.
The original commentary was written up and posted on line while I was on sabbatical in the academic year 1999-2000, and it has been updated at intervals since then.