â Satan’s ability to appreciate the goodness of God and His new paradise, coupled with his remorse without willingness to repent sets forth a theme that reverberates to this day in literature.
At the risk of belaboring the point, it seems almost necessary to both their purposes for Christ and Diana to have been at odds with the status quo at one point or another. Because of her involvement in politics and the stated underpinnings of her mission, it is easy to see how Wonder Woman could find herself pilloried for her beliefs. Indeed, while Diana's execution of Maxwell Lord was an extreme example of this, and led to her exile, those events are also at least superficially similar to Moses' flight from Egypt after killing an Egyptian who was abusing a Hebrew. However, it is almost antithetical to Superman's portrayal for the public (or a vocal faction thereof) to turn against him in the way that the crowd demanded that Christ be crucified and Barabbas released. Superman did exile himself into space after killing three apparently-irredeemable Phantom Zone murderers, but the circumstances were hardly as public as Diana's, and resulted in no public condemnation. Superman's self-imposed exile in Kingdom Come might be closer, but I'm not counting Elseworlds here.
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Book Reports Essays: Religion in World Lit
The great thing about Superman's morality is that it is inherent to his character. It's not a put-on, and its never self-righteousness. He simply is what he is: a moral force in a world of immorality. It is no mistake that the morality he espouses, at least in large part, can be derived from the outlines of the Hebraic moral code found in the Torah.
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Batman: Holy Terror is another good one, an Elsworlds imagining Bruce Wayne as a priest who resorts to extreme tactics living in an oppressive theocracy. DC will probably never reprint it, but it's my all-time favorite Elseworlds...
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Moses and Jesus both worked against the interests of those in power. Moses sought to free his people from Egyptian slavery, and Jesus found himself up against both religious and secular authorities. Although Superman started out as a more radical social reformer, he has since become strongly identified with the establishment; whereas Wonder Woman's mission has been consistently rooted in elevating the status of women worldwide. While this hasn't necessarily put her in direct conflict with the patriarchal powers-that-be, it is at least an indirect challenge. Greg Rucka emphasized the political nature of Diana's mission, putting her through the 24-hour news cycle and the trials of attack politics in the context of promoting her book of Amazonian teachings. (I'm not quite saying Diana's book was her Ten Commandments, but again, Clark/Superman writes mostly news reports, not philosophy.)
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Greg Garrett: A few overtly religious characters in comics - that is to say, a primary part of their identity is that they are people of faith - would be Kurt Wagner/Nightcrawler from the X-Men, Peregrine and The Maid in Alan Moore's Top 10 mythos, and some writers' versions of Matt Murdock/Daredevil. There are other characters who profess a belief in God or a supreme being - in Holy Superheroes I mention a scene from one of the Superman books where Superman tells Lois that he is no different from anyone else using the abilities God gave him - but these four are characters for whom faith actually seems to make a difference in how they live their lives and in how and why they do the work they do. There's a difference between surface religiosity that many people profess - "I believe in God" or "I go to synagogue every week" - and religion that transforms a person's life, and I'd have to say that these characters seem to embody that transformation. The true work of religious people is the work of bringing peace and justice into the world. It's a gospel message, it's in the Hebrew Torah and the Koran, and we see it played out in the lives of these characters.