In accordance with Golding, the inhumane treatment and the harsh conditions enforced on the prisoners of California show the savageness of the human nature and its flaws that lead to the deficiency in a society....
In a way, to be indifferent to that suffering is what makes the humanbeing inhuman. Indifference, after all, is more dangerous than anger andhatred. Anger can at times be creative. One writes a great poem, a greatsymphony, one does something special for the sake of humanity because oneis angry at the injustice that one witnesses. But indifference is nevercreative. Even hatred at times may elicit a response. You fight it. Youdenounce it. You disarm it. Indifference elicits no response. Indifferenceis not a response.
Cruelty and Mans Inhumanity Essay - 989 Palabras | Cram
Others would argue that the rapid rise of industrial capitalism in the 18th century had turned man into a selfish, competitive animal whose inhumanity was increasingly apparent in the blighted landscape of the industrial revolution.
Hidden Meanings in The Shining?
Sheridan in his newand enlarged edition of the writes apologetically that "some 'fool friend' in Montana attributed to GeneralSheridan the expression that 'a dead Indian is the only good Indian,' and,though he immediately disavowed the inhuman epigram, his assailants continuedto ring the changes [sic] on it for months." Anotherscholar who tried toclear General Sheridan's name was Carl Rister who in his book (1944) begins his preface withthe following defensive remarks:
Sheridan's foes charged that he had said, "The only good Indian is a deadIndian." It is improbable that he made such a statement.
Bill Blakemore The Family of Man
Throughout the novel, Dickens analyzes the concept of man’s inhumanity to his fellow man as a force motivated by inordinate greed, destructive power, and conspicuous injustice....
Copyright 1987, San Francisco Chronicle
The Metropolitan Museum of Art
It’s hard to say whether Diane Arbus’s photographs essay man’s inhumanity to man or just her own. What is certain is that The Met Breuer’s stunning overview of her nascent career showed how her dark sensibility formed early on. From the start, Arbus populated her images with freaks, as she described them, though this often meant rendering otherwise ordinary people as freakish or at least hollowed out. Susan Sontag condemned Arbus’s photos for their harsh voyeurism, but without them, there would have been here would be no Nan Goldin, Robert Mapplethorpe or Larry Clark.